ONE THREAD WINDS
Materials: Gambier limestone
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Gambier Limestone, from South Australia, is composed of fragments of bryozoa or lace coral and shell deposited more than 15 million years ago, when a large part of southern Australia was covered by a warm sea. The shell debris has compacted over time to form a soft porous limestone that retains a matt finish. Occasionally larger shells and sharks teeth are found in the stone.
ONE THREAD WINDS
Materials: Gambier limestone
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Gambier Limestone, from South Australia, is composed of fragments of bryozoa or lace coral and shell deposited more than 15 million years ago, when a large part of southern Australia was covered by a warm sea. The shell debris has compacted over time to form a soft porous limestone that retains a matt finish. Occasionally larger shells and sharks teeth are found in the stone.
Materials - stone

Wave worn pebbles on the beaches of my childhood, hiking mountains and studying rocks and landscape as a geologist all contribute to my deep appreciation of stone. I have two favourite stones for sculpture, limestone and marble.
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Limestone and marble have essentially the same composition but are very different as sculptural materials. Looking at the formation of these two materials helps us to understand their differing performance. Limestone is a sedimentary rock, formed of shell, bone and coral fragments and lime grains that have been cemented together. It varies considerably in material properties depending on the origin and age. It is typically creamy to grey in colour with dull surfaces. It may be uniform in texture or chock full of fossils; it may be soft enough to cut with a knife or so hard that a hammer and chisel are needed to break it.
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Marble is formed when limestone is subjected to heat and pressure. During this metamorphic process the mineral calcite which forms all of the shell and lime fragments becomes crystalline. The original structure of any fossils is lost as the rock is heated and squeezed and the crystals of calcite grow into an interlocking matrix. Impurities in the original limestone will affect the colour and may result in interesting veins of colour through the marble.
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It is the crystalline nature of marble that makes it such a marvellous sculptural medium. The stone needs to be worked with sharp chisels and rasps but the surface can be polished to a silky lustre. The capacity of calcite to reflect light both from the surface of a crystal and from planes within the crystal gives a particular life to a marble sculpture.
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Materials - paper

I find paper a fascinating sculptural material. When folded along a curve the two dimensional material develops interesting curved planes and edges. It is very satisfying to create a curved tessellating pattern that folds into a stable three dimensional form. The image is of a single folded sheet of watercolour paper - no cutting, gluing or moulding.
Materials - ice

Specialist for ice sculpture is made in such a way that there are not air bubbles or impurities within the block. The resulting ice is ultra clear, so both the form of the sculpture and the view through the sculpture become elements of the artwork.
